This week the Royal Opera House (ROH) ended its successful run of Verdi’s Macbeth. A terrified and guilt-stricken Lady M., performed by Anna Netrebko, left haunting memories behind including scenes of her sleepwalking and dreaming she was washing blood off her guilty hands. Now the Covent Garden’s backstage has filled its walls with Richard Jones’s 2004 production of Shostakovich’s first and last opera, Lady Macbeth of Mtsensk (1934.). From Banquo’s ghost to Boris Ismailov’s ghost it is no coincidence that Shostakovich’s opera presents many parallels between his version of Lady Macbeth and Shakespeare’s own.
Carmen as you’ve never seen before
Apologises. This one is a long report because there was plenty to cover on Barrie Kosky’s production. Enjoy!
For those of you who are new to Bizet’s opera, you’ve heard the music before. Without knowing it, you’ve heard the music of Carmen in a perfume, insurance or car advert. It is the second most performed opera at the Royal Opera House (ROH), and many would recommend Carmen as an opera for first-timers to see, yet I’m unsure if I’d say the same for the opening night I attended on Monday.
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Afternoon all! Here's my #interview piece with French pianist #JeanPaulGasparian. He talks about his new debut album, his background in Russian #classicalmusic and provides some inspiration words for aspiring pianists. I can't believe he is 22 years old! trendfem.com/2018/06/q-a-wi…
Last night @ChicagoOnStage was excellent. All those tuneful numbers, jazz hands & burlesque dance 'sequins' were good as I remembered. Whatever to the neg. reviews it was getting when it opened. They were either too picky and cynical or the performance has massively improved.♥️
Our wonderful and charming @CubaGoodingJr 'passionately' explains his feelings on performing on London's #WestEnd for the first time 😂— Chicago The Musical (@ChicagoOnStage) June 16, 2018
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☆☆☆☆☆ Any opportunity to see #LauraLinney live should be embraced fast. If not, then at least try and read one, or all, of Strout's books. I'm currently reading Anything Is Possible (2018) & I've having difficulty putting it down. @_bridgetheatre trendfem.com/2018/06/my-nam…
☆☆☆☆☆ One can learn many things from @operahollandpk #OHPTraviata stripping an opera of novelty & sensationalism and bringing it back to the text doesn’t render a production boring or unoriginal... when executed well it can do wonders trendfem.com/2018/06/opera-… #OHPYoungArtists