Before I begin, you should know I have never heard of the Austrian composer Hugo Wolf or his music before, that was until I attended last night’s concert at the Barbican Centre to see and hear his Italienisches Liederbuch (1890-1;1896) performed by soprano Diana Damrau, tenor Jonas Kaufmann and pianist Helmut Deutsch.>>>
‘Better late than never’, as some may say or in my case, better to find out for yourself than depend on two-star reviews. The time came to see Ivo van Hove‘s production of Obsession with its lead protagonist performed by film and stage actor Jude Law, and one would think that given Hove’s international reputation and Law’s virtuoso acting the show would be a big hit, yet instead this is perhaps one production that meets a degree of anti-climax.
At the main stage of the Barbican Centre, theatrical technicalities and marvellous acting are worth the bite, yet the writing is basic, dry and stale. Yet, what creative device or person(s) do we blame for the production’s flaws?
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☆☆☆☆ @arcolatheatre #Greek #Grimeborn is a 75-minute mash-up of rough, violent energy and impressively bold performances that merge the old with the new. The work stands as a remarkable piece of operatic history. Hold tight, you’re in for a rude ride.https://t.co/ZuSY3DOmI0 pic.twitter.com/sTWWtyG48S— Trendfem.com🌸🎶 (@MaryGNguyen) August 15, 2018
Tomorrow @mosaic_opera launch their first showcase platform championing exciting and diverse opera makers! 😱 Featuring #RedSeed by Sanyan Kent, #WhereNoBellsToll by @RosabellaG, #Rain by @RuthChanMusic & #ThePiedPiperOfChibok from @Utopia_Theatre. 🎟️→arcolatheatre.com/event/mosaic-g… Retweeted by Trendfem.com🌸🎶
Today's the day that @mosaic_opera kick off their performance showcases! 😱 #PlatformOne takes place tonight and tomorrow, with an exceptional programme that includes @RosabellaG and @GregoryDina's #WhenNoBellTolls. Read more about it on our blog: 🔕 arcolatheatre.com/rosabella-greg… Retweeted by Trendfem.com🌸🎶