Canadian costume and set designer Michael Levine has worked in a variety of prestigious theatres and opera houses internationally for more than three decades. He created the original set designs for Robert Carsen’s production of Benjamin Britten’s A Midsummer Night’s Dream, which is currently being revived at the English National Opera (ENO), London Coliseum. I spoke to Michael (on the first day of Spring) to discuss the inspiration behind his work; the usage of the green and blue colours, the symbolic relationship between the world, Tytania and Oberon, as well as the floating beds on the ENO set. He also shared his experience of a dramatic transition within design over the course of his career and gave an in-depth account of the role of a set designer.
Long for the days of Summer’s innocence
Lucky number three. Three ravishing productions have been performed at the London Coliseum from the English National Opera’s (ENO) Spring 2018 programme. It seems that the quality of the ENO’s productions are proving consistent and worth complimenting. The third of which I saw on its press night (on Thursday) on a week that had been heavily affected by snow storms and Siberian winds under the alias ‘The Beast from the East.’ Luckily for the audience inside the London Coliseum, it was warmer and rosier with its sweet and playful portrayal of Benjamin Britten’s A Midsummer Night’s Dream.
It’s not Carry On
It’s hard to forget an opening night like that. I’m no stranger to the most recent Gilbert and Sullivan (G&S) productions at the English National Opera (ENO). That’s predominantly down to the intoxicating stage and costume designs, which are usually littered with wit and humour. Continue reading
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