Before I begin, you should know I have never heard of the Austrian composer Hugo Wolf or his music before, that was until I attended last night’s concert at the Barbican Centre to see and hear his Italienisches Liederbuch (1890-1;1896) performed by soprano Diana Damrau, tenor Jonas Kaufmann and pianist Helmut Deutsch.>>>
Welcome! Here’s a roundup of news, posts, bits and pieces I’ve been sharing on Social Media from the second week of January. That includes Bridge Theatre’s PR email blunders, Devoted and Disgruntled’s 13th event, and lots of interviews and reviews.
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I shared some of my thoughts of the opening night of #ROHTosca with Joseph Calleja, Gerald Finley and Adrianne Pieczonka. It’s the ninth revival of Jonathan Kent’s production. (Click here.)
Come and get a history lesson at the @gatetheatre with @NinaB0wers ‘s captivating performance #Twilight1992 (here) focusing on the riots of Los Angeles in 1992.
It was National Popcorn Day on Friday 19th, so I sent out a post I wrote in 2016 discussing the effects that cinema live screen events have had on converting new audiences to opera (here).
It was the opening night of David McVicar’s revival production of Salome with Malin Bystrom and Michael Volle. I wrote about their tremendous performance here.
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A while ago, in a response to a tweet about my wife driving her warship, somebody made a comment about women drivers. This is my wife berthing her ship between a container ship and a destroyer. No tankers, no fuss, not easy (video speeded up for ease). Retweeted by Trendfem.com🌸🎶