Opera wouldn’t be influential if it wasn’t for the role of the ‘diva’ (Italian for ‘goddess’) or ‘prima donna’. Its voices, the magnificent sopranos, tender contraltos, and mellifluous mezzo-sopranos are huge driving forces that foster…
Stagecake Podcast 5: Alexander Wolfe and James Seager,…
Meet Alexander Wolfe and James Seager of Les Enfants Terribles Read More
Q & A: Tonderai Munyevu – Actor and…
Two Gents Productions' upcoming show The Moors, at Tara Arts from November 7, is a playful amalgamation of South African workshop theatre and Shakespearean story structure, meditating on race, immigration, and art. The writer and actor of…
Stagecake Podcast 4: Marc Kelly and Liz Chadwick,…
Meet MKEC Productions' Producers Marc Kelly and Liz Chadwick Read More
Q & A – John Holland: Composer and…
On Saturday 3 November, the wind band, the Lambeth Wind Orchestra (LWO) shall be performing a classical music concert dedicated to women's music. Its conductor, John Holland speaks to me about the inspiration behind the…
Q & A – Katharine Armitage – Theatre…
Tea Break Theatre’s thrilling immersive production of Mary Shelley's Frankenstein is now showing at the National Trust’s Sutton House this Halloween. This bold production encourages the audience to reflect on female identity and the role of women in…
Q & A with Satriya Krisna – Opera…
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Q & A: Jane Gray – Opera Director…
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