I had the privilege of seeing Hampstead Garden Operas’ 1960s production of La traviata (my review here), yet I missed out on English National Opera’s alternative production that received mixed reactions from the critics. I was quite keen to see their version of Violetta lost in The Day of the Dead-style graveyard, having strange encounters with the licker man.
Last month, Opera Holland Park opened their 2018 season also with La traviata, yet their production went back to the classic and elegant 19th century, where the story had begun. There is not one controversial aspect about it, which does the production a huge favor in my humble opinion. Continue reading