A dramatic opera set in a dark place
There is no joy in the world of the Macbeths: no sense of love for family or nation. Just a deep-seated desire for power and domination. Verdi wrote to Antonio Somma, his librettist for Un ballo in maschera, in 1853, “I prefer Shakespeare to all other dramatists” by which point he had already finished composing Macbeth (1847, revised 1865) and continued to celebrate his respect for the Bard with Otello (1887) and his final masterwork, Falstaff (1893).
Currently, the Royal Shakespeare Company (RSC) and National Theatre (NT) have produced two new productions of Shakespeare’s Macbeth which, unfortunately, haven’t received the best reviews. That said, the Royal Opera House did a better job with Verdi’s opera, a reduced version of Shakespeare’s play, which was sung by the showstopping Russian soprano Anna Netrebko, as Lady M., and Serbian baritone Željko Lučić, performing the role of Macbeth.