La Bayadère (the Temple Dancer) like Swan Lake, is a masterpiece bought to life by musical composer Ludwig Minkus and Marius Petipa’s French and Russian inspired choreography, however, it lacks the exposure and necessary praise that it truly deserves. Soviet-Russian-born prima ballerina Natalia Makarova managed to captivate the American audience for the first time back in 1974.
One of Makarova’s repertoires was staged at The Royal Ballet in 2009, which was screened this week by Francesca Secola from Birkbeck’s Spanish and Portuguese Speaking society. She hosted this open evening to devote time to those who enjoy classical ballet at the college. There were a small group of us from different courses who attended this rare occasion – the majority had not seen the ballet before.